Le nozze di Figaro; Larmes de couteau/ Full Moon in March review – all shaken
Russian film and theater director Kirill Serebrennikov, an outspoken advocate of liberal causes, is not yet widely known here. It’s making headlines in Europe. His work requires attention. The provocation may be logical, but its seriousness acts as a stabilizing agent. At this year’s Edinburgh international festival, where opera is high on the agenda, Serebrennikov… Read More »