Giulio Cesare; Così fan tutte; Siegfried/Götterdämmerung – review
Sometimes an opera production imprints itself on a work with such sincerity that it becomes a touchstone for a generation of audiences. Jonathan Miller’s 1982 Mafia Rigoletto – New York gangsters and a jukebox-playing duke – wins with creativity and box office success. (Dog-eared or not, he will return to English National Opera in the… Read More »